Showing posts with label beastie boys. Show all posts
Showing posts with label beastie boys. Show all posts

Wednesday, June 24, 2009

The Bonnaroo Tales, Vol. II: Can I Live While I'm Young?


Friday morning was cloudy, which is part of the reason I was able to sleep so well. But the other major factor was our campsite itself. It was the festival setup I've always wanted. Along the way from Jersey to 'Roo via JMaddy, we picked up my college freshman cousin and 5 of his hometown buddies. They rolled down Highway 81 from Boston in a rented minivan, and from the start clearly had no idea waht they were walking into. To the yoots' credit, they did a great job festivaling once we were down there. They all seemed to have a great time, and despite being grossly unprepared -- "Whoa, you guys brought a cooler?" -- really contributed to the campsite, namely with caffeine and liquor. Friday morning I was able to chug a mugful of Starbucks right to my brain thanks to a 150 year old device that I had never seen or heard of before. According to Wikipedia, "French pressed coffee is usually stronger and thicker and has more sediment than drip-brewed coffee." Oddly, I found myself saying the same thing about the fresh pressed product I left in the toi-toi a few minutes later.


We spent the better part of Friday morning foraging around our neighborhood for various necessities and sundry items. We found a perfect flagpole and doubled the height of our crucial campsite landmark, the sweet California bruin flag. We wandered across the campgrounds and slugged through a bunch of mud to hang out for a bit with Adam's friend from college and my homegirl Hippie Katie, then wandered back and had a delicious lunch of turkey sandwiches and ham grilled cheeses, all courtesy of the legendary Meatbag Magician. Fat and satisfied, we ventured to Centeroo and caught the end of Santigold's set.


Santi kept the crowd bouncing, but capturing the attention of myself and many of those around me were a pair of sign language interpreters perched on an edge of the soundboard area. I always find this hilarious. They were mouthing every lyric, dancing to the beat, half signing, half raving with all kinds of sassy, hearing impaired gusto. I'm not saying deaf people shouldn't go to festivals, but no matter how well somebody lip-syncs and keeps a beat... I mean... they still can't really hear the concert, right? Someone might want to send me to sensitivity training for this, but I just don't get it. It was funny. Forget it, moving on.


Adam, Mike and I agreed that Al Green was not to be missed, and we were all too happy to watch one of the true legends smiling from ear to ear as he glided and pranced around the main stage, sweating through a red-vested three-piece suit as the evening sun continued to beat down. Green may not heed the farmers' almanac, but he still has the moves. He also still has his way with the ladies (although you could say he had a rough go of it with his women at first), tossing roses into the crowd and stopping more that once to lament that he couldn't jump into the audience and spread a little bit more love. "These people came out here to love me, not to hurt nobody," he declared. And damn if I didn't want a piece of the Reverend right then and there.* The most important thing that he still had -- that voice. He can still hit those sweet soulful notes, and god bless him for it, I hope he can forever.

*Guessing this is the closest I'll ever feel to being Catholic.


As soon as Al Green waved us goodbye, we realized that we had made our way up to a great spot right up against the rail dividing the pit from the rest of the crowd, and decided to stay put and stake our claim to that land in the name of Schiff during Beastie Boys, before Phish's late night set. If I could take a mulligan on one Roo decision, I would take it right here. Beasties vs Byrne was easily the most awful scheduling conflict of the weekend going in, and I agonized over it until the moment of truth came. I made the mistake of valuing our spot on the rail over seeing the music that I knew would maximize my experience. Next time I get the chance to see the man who wears the Big Suit, I'm going to make sure to take it. It's not that I didn't enjoy the Beasties' set, but I knew exactly what was coming, having seen them once before. Always opt to see a new show for the first time, especially if it's an artist you love. I consider myself a live music veteran, but this decision was total amateur hour. I knew I flubbed it the entire time, too. I just didn't pull the trigger on it because I was so into having that spot for Phish, who were involved in the second worst Bonnaroo scheduling conflict -- against Public Enemy. It would have been cool to see P.E. perform "It Takes A Nation of Millions to Hold Us Back," and everyone knows how much love I have for ya boy, but I was left uninspired to make that move after seeing the Worst Fake Flav of All Time. I must have screamed "Flava Flaaavvv!" at this assclown a dozen times, and not once did he respond. If you're out there, bullshit Fake Flav, you suck. You mean to tell me you're willing to parade yourself around dressed like an asshole, but not act the part? For chrissakes, you're sitting on your fat, useless ass reading the fucking paper! Everyone knows Flava Flav can't read! Disgraceful.


Point is, you can't go back, only forward, and inevitably we made it (finally) to the first main event of the weeknd: Phish on the main stage, Friday night at 11. It was a high-energy performance right from the gate, featuring another Chalkdust Torture opener like we had seen in Camden (Best show of the early summer tour leg? Methinks yes.), and the strong set of Divided Sky, Possum and Down With Disease hyping the action in the pit and around us to its first real fever pitch of the weekend. But after 8+ hours on my feet and the never enjoyable Wading In the Velvet Sea beginning to take form, I told Adam I had to get out of there. I recharged with a festival gyro and bottle of water, and after an entire night of overvaluing our precious rail spot, packed in amongst a few particularly insufferable Phish heads, I fittingly caught the hard-charging highlight of the festival to that point from a wide open patch of grass toward the back of the field. After Wading in the Velvet Shwag mercifully wrapped, the boys rolled through Harry Hood - always a personal favorite, though this version wasn't quite the pure joy of the previous Tuesday's Jones Beach edition - then covered Highway to Hell for the first time in over 12 years, jammed into 2001, and segued from YEM > Wilson > YEM in what felt like a moment of accidental perfection to close their set at 2:15am. An appropriate cover of the Beatles' A Day in the Life shut down the main stage for Friday night (at this point Saturday morning), and we ventured over to Girl Talk to close out the late late session.


Greg Gillis provided us with a predictably fun dance party, but I think at that point, for us it was just a little bit of noise that we didn't have to think too much about. Something to keep us bobbing and energized long enough to make it back to camp and crash. Before we did, we needed one last quick conversation about our strategy for Saturday -- the big day. Bruce Day. We decided we'd drive it to Firenze (we named our camp after our second landmark flag, a purple banner bearing red fleur de lys, purchased in Florence) for a cookout dinner pregame around 5, then hit up our same spot 3 hours or so before The Boss. That same, overrated spot. We didn't know that our well-intentioned plan wouldn't come to fruition, or that this would turn out to be the best thing that could have possibly happened to us. Content with our agenda, still spinning and exhausted from our long day of music, and with the sun rising on our first nearly 36 hours of Bonnaroo, it was time to make that move.

Pillow.

Face.

Thursday, May 28, 2009

Strikes and Gutters, Ups and Downs



It's been a long, draining week -- the kind that leaves you shaking your head, speechless, numb. When faced with a similar situation toward the end of The Big Lebowski (perhaps my favorite movie of all time, and one that has been there for me time after time), the flawed, if not passionate, Walter Sobchak is left with just one timeless thought:

"Aww, fuck it Dude. Let's go bowling."

I always thought that meant that when times get shitty, you turn to the things that have always been there to comfort you, even if they seem excessively ordinary and couldn't possibly offer more than a momentary escape. Maybe deep symbolism was never intended. Either way, I'm goin bowlin tonight.

Appropriately enough, as I ready myself for my first ever NYC bowling experience, I find an abundance of Dudeness on the interwebs. First:

"The New York Yankees have announced the addition of strictly kosher food offerings and Shabbat accommodations at their November 2009 and January 2010 Fantasy Camps. Glatt kosher food will be provided by Weberman Foods with OK supervision, and a Friday “Dream Game” will be played so Shomer Shabbat Jews can participate."
Walter would certainly be there, except he has to take Cynthia's Pomeranian bowling while she and Marty Ackerman are in Hawaii.
Walter Sobchak Approves [Fack Youk]

And secondly, Bonnaroo thought they didn't completely make my summer enough when they brought Phish, Bruce and the Beastie Boys (arguably the 3 cornerstones of my proverbial musical pyramid) together under one festival, so they decided to throw in their very own Lebowski Fest at the air-conditioned Bonnaroo Cinema tent. I guess now I need to bring along my purple Jesus Quintana bowling outfit in addition to my big suit. The big 'Roo starts exactly 2 weeks from today. There's your long overdue countdown alert. Meet me there for a much needed White Russian.
Bonnaroo Cinema [Bonnaroo.com]


The Dude abides.
I don't know about you, but I take comfort in that.

Friday, February 20, 2009

Ladies and gentlemen, meet the Sexy Armpit

Photobucket

He loves the Beastie Boys and New Jersey. We're gonna be regular pals.

As a fan and fellow Tribesman of the Beastie Boys, I was glad to see a Jersey guy break down the relationship between the group and the Garden State. The connection is obviously much less overt than the Beasties' affinity for their home in Brooklyn, but you always had a feeling that dudes that awesome had to somehow be connected to the Dirty Jers, which I'll remind you again is the unknown cultural center of the universe.

However, I wanted to further dissect the Armpit's discussion, so I decided to do a little research and break down of all the White Castle and New Jersey references on Licensed To Ill. Curiously, there is not a single mention of Harold and Kumar's favorite burger chain on any of the Beasties' other albums. I guess it should be no surprise that Licensed was their biggest hit. Just another testament to the inspirational power of White Castle, and a lesson to you kids - no dream is too big if you set your mind to it and get all hopped up on Slyders. And now, my findings.

The Boys get right to work on the second track, "The New Style," which has the unique distinction of being the only Beastie Boys track to reference both White Castle and New Jersey.
I chill at White Castle 'cause it's the best
But I'm fly at Fat Burger when I'm way out west

[snip]
You're from Secaucus - I'm from Manhattan
You're jealous of me because your girlfriend is cattin'
They may be interested to know that Fatburger has since expanded, and currently has 1 New York location and 3 in New Jersey, including one in Jersey City, just moments away from Secaucus.

Next, two tracks with no mention of burgers or Garden States, but after that we get references in consecutive tracks. First, on "Slow Ride:"
Because being bad news is what we're all about
We went to White Castle and we got thrown out
Followed by a classic line in "Girls," a favorite of hormonally supercharged 12-year-olds since 1986:
I like the way that they walk
And it's chill to hear them talk
And I can always make them smile
From White Castle to the Nile
Three more tracks until the next White Castle mention ("Fight For Your Right," "No Sleep Til Brooklyn," "Paul Revere" - damn this album is effing awesome). "Hold It Now, Hit It!" features this little nugget:
Down with Mike D. and it ain't no hassle
Got the ladies of the eighties from here to White Castle
I have to admit, I never thought to take a girl to White Castle. I tend to go more for Wendy's types.

Now, the next track, "Brass Monkey" is a Schiff Happens favorite. However, in my years of singing along, especially with this recognizable line:
I drink Brass Monkey and I rock well
I got a Castle in Brooklyn that's where I dwell
I never thought about it this way (thanks to Beastie Boys Lyrics Annotated): "One possible (UPDATE: Sorry, this quote got whited out) interpretation comes from scoats@greylodge.com, that at the time this was written, there were no White Castles in Manhattan but there was one in Brooklyn. It could also simply refer to the fact that Yauch is speaking this line from Brooklyn, and a man's home is his castle."
Now that is some clever lyrical analysis! I always figured it was the whole "a man's home is his castle" thing, but considering this was the Beastie Boys' debut album, they weren't exactly rocking out in mansions at the time. The White Castle theory definitely has legs.

Consequently, if we're to accept the above as a White Castle reference, then "Slow and Low" marks the third consecutive track to mention the burger joint. This one happens to be my favorite Beastie Boys White Castle Reference of all time, and yes, I had already come to that conclusion long before this post was even a thought.
We got determination, bass and highs
White Castle fries only come in one size
To me, that just sums up the playful, carefree attitude that the Beastie Boys have always been so about. So what if it's a randomly placed non sequitor? It rhymes, damn it! Unfortunately, this quality may account for the lack of poetic justice that would have come with one final White Castle mention on the final track. Alas, "Time to Get Ill" makes no mention of Slyders or New Jersey, so here's your final tally.

Total White castle references: 5 or 6, depending on your interpretation of the "Brass Monkey" line. Call it 5.5
"White Castle" Frequency: 1 of every 2.36 tracks, or a whopping 42 percent of the songs on Licensed To Ill feature White Castle. After such heavy emphasis on the burger joint in their debut, why was White Castle completely abandoned in every album since? I can't say for sure, but it probably has something to do with this sneaky bugger.
Total New Jersey references: Just the one.
Total White Castle consumed by Harold and Kumar: 60 Slyders, 10 orders of fries, 4 large Cherry Cokes, 4 large Diet Cokes.



*I guess I should probably come clean and admit that even though I am Jersey through and through, I have no love for White Castle. I've been there exactly once, immediately after I saw Harold and Kumar Go To White Castle, and I felt extremely dirty because 1) We were completely buying into the whole stupid ploy of a 90-minute product placement flick (don't get it twisted though, I love that movie), and 2) Have you ever actually seen a White Castle Burger?

With that, I believe this delicious dissection is over. Not sure what kind of conclusions we want to draw from this, but I'll be damned if I'm not craving me a burger right now. Just thinking about it makes me wanna burn this mothafucka down. Come on Pookie! Pretty bummed I don't have my Free Whopper coupon with me. What was I thinking not putting it in my wallet immediately? Damn it. Now what am I supposed to eat for lunch?

Tuesday, February 3, 2009

PHISH! SPRINGSTEEN! BEASTIES! BONNAROO!



Well, it happened. As we kind of knew, Little Eric was right, and the initial lineup announcement for Bonnaroo ’09 means the end of mankind and my face as we know it. Mind, you’re about to be blown. It’s been great knowing you. As if confirmation of the PHISHSTEEN rumors wasn’t enough, I get to see Beastie Boys again – and I thought I was lucky to have seen them once. That’s the holy trinity of Schiff Happens: The Hippie, The Tribesman and The Boss. Plus, there really is no party like a Snoop Dogg party. Warm up the RV, I’ll bring my green hat.

So much good music I already know and love, and so much that I have heard about and wanted to get into that I will now be able to see live in concert. As glad as I am that I get to spend a bunch more money I don’t have, a twin headliner of the best two bands I’ve ever seen, period, is worth the price of admission. And by the way, with complete and total Jersey domination descending on the year’s annual keynote summer festival, this WSJ article (which I have been trying for a minute to find the right context for) is really worth noting.

YOOOOOOOOOOOOOOOOOOOOOOOOOOOO




















Oh yea, I almost forgot.... the lineup.

Previously:
Who decides? The Boss decides.
If I had a penny for my thoughts I'd be a millionaire [Beastie Boys]
It's (almost, ok not really but pretty much) official!
Suck It Philly: Springsteen Edition
Phish Happens? [Rumors, Speculation and Hearsay]

Friday, January 16, 2009

No- No- No more work this week! [Friday Jams]


It's been a minute since I posted an official Friday Jams, so I'm gonna try to blow this one out and give you some stuff to bounce around to this weekend (and you will need to remain bouncing, as it is brick city miserable my teeth hurt kinda cold out there).

[T-minus one month to liftoff] I've had my eye on N.A.S.A. since before I really knew their deal, but I really started paying attention when I saw David Byrne's name next to Chuck D's and listened to 'Money.' Turns out the duo of DJ Zegon and Squeak E. Clean (the brother of Spike Jonze) have a shitload of most awesome friends, and when I see a list of collaborations like this one, I get excited. Apparently their agenda is to bring together as much diversity and musical collaboration as possible, and from the looks of things they've done a great job. A few tracks have leaked here and there, so grab the ones you can download (with props to Pigeons and Planes), and check out the rest of the track list for the debut album, The Spirit of Apollo, out February 27.

01. Intro
02. The People Tree (feat. David Byrne, Chali 2na, Gift of Gab, & Z-Trip)
03. Money feat. David Byrne, Chuck D, Ras Congo, Seu Jorge & Z-Trip
04. NASA Music (feat. Method Man, E-40, & DJ Swamp)
05. Way Down (feat. RZA, Barbie Hatch, & John Frusciante)
06. Hip Hop (feat. KRS-One, Fatlip, & Slim Kid Tre)
07. Four Rooms, Earth View
08. Strange Enough (feat. Karen O, Ol’ Dirty Bastard, & Fatlip)
09. Spacious Thoughts feat. Tom Waits & Kool Keith
10. Gifted (feat. Kanye West, Santogold, & Lykke Li)
11. A Volta (feat. Sizzla, Amanda Blank, & Lovefoxxx)
12. There’s a Party (feat. George Clinton & Chali 2na)
13. Whachadoin? feat. Spank Rock,M.I.A., Santogold & Nick Zinner
14. O Pato (feat. Kool Kojak & DJ Babão)
15. Samba Soul (feat. Del Tha Funkee Homosapien & DJ Qbert)
16. The Mayor (feat. The Cool Kids, Ghostface Killah, DJ AM, & Scarface)
17. N.A.S.A. Anthem

[I egged the chicken and then I ate his leg] Gave you the heads up on the Paul's Boutique reissue, so in honor of my fellow tribesman here's one of my favorite tracks from that album. Love all the samples (Dust Brothers on production) and brings memories of 'Egg Raid on Mojo,' played at the aforementioned concert. Unrelated to any of that is this site which will consume plenty of your precious free time if you're a Beastie aficionado like myself. Beastie Boys - Egg Man

[If it ain't broke] Everyone is jumping on tracks with Santogold, and Three Six Mafia and Project Pat have proven, at least to me, that this isn't necessarily a bad thing. Santogold - Shove It (Mad Decent Remix) ft. Three 6 Mafia & Project Pat

[Don't say I never gave props to Cleveland] Kid Cudi's whole half-singing half-rapping thing threw me for a minute, but I've listened to more of his stuff and I'm excited to see what he does in '09. Could be a real big year for this dude, but like Asher says, "What do I know? I'm just a white kid." Kid Cudi - Embrace the Martian ft. Crookers

[This speech is my recital] Run D.M.C. were elected to an extremely irrelevant institution (hey, I can only be nice to Cleveland once in a given post), so I give to you perhaps my all-time favorite jam of theirs. Run D.M.C. - It's Tricky 

[What kind of a grown man calls himself "Puffy?"] Finally, something I just saw (thanks to Nah Right). I was jammin to Ready to Die and Life After Death all day yesterday in celebration of Notorious Eve. DJ Mike Nice presents a mixtape celebrating Brooklyn to get you more in the mood for the Biggie biopic, which I've been excited about for a while now. It's out today, so go see it. DJ Mike Nice - Brooklyn Bullshit (Mixtape)

Wednesday, January 14, 2009

If I had a penny for my thoughts I'd be a millionaire [Beastie Boys]



The Beastie Boys are reissuing the classic album Paul's Boutique on January 27 in celebration of its 20th anniversary, which makes you and me very, very old people [Source]. It was deemed, for the most part, a critical failure in 1989 (although following up on the absurd success of their debut, License to Ill, had to be tough), the Beasties' second album gained cult success and has come to be recognized as an all-timer in the rap canon. Incidentally, 1989 was also a big year for me. That year I discovered The Price Is Right, when I went to my friend's house before p.m. kindergarten and we ate Spaghetti-Ohs while Bob Barker babysat via television, mesmerizing us with his shiny white hair and conductor's wand microphone. I also turned six, so I had to start using both hands to tell people how old I was. I got to sleep in school, drank chocolate milk every day, and I seem to recall reading lots of enormous books. Oh, and did I mention the bitches?

From those glory days until now, the classic LP has never been digitally remastered. The original vinyl artwork has also been restored in the form of an eight-panel digipak (Beastie Boys keep it green) displaying a panoramic view of that now-familiar intersection at Rivington and Ludlow on the LES. Other reissue perks include a foldout poster and access to a download of "track-by-track" commentary from Mike D, Ad-Rock and MCA, who share stories, thoughts and insights about each song as it plays in the background.

Like you and me, the Beastie Boys are advancing in years but still fighting for their right to party, with plans for a new studio album in '09 to follow up on 2007's The Mix Up. I was lucky enough to check out their stop in Central Park that summer, and I was overwhelmed by their intensity and showmanship, but also how well they related to and played off of the crowd, many of whom (myself included) were drooling toddlers when the three MCs and one DJ, now into their forties, first appeared on the scene. That show remains an all-time favorite for me.



In other Beastie news (specifically for those who have derided me for my considerable East Coast bias), here's one reason I wish I were livin' out Californee-way right about now: Over 100 artists have contributed to an awesome new Beastie-inspired exhibit called "Under the Influence" at Gallery 1988 in Los Angeles. The title is apropos, considering the profound influence that the Beastie Boys have had during their storied career as the first relevant white hip-hop group. Despite the initial corny factor, they have not only endured but inspired others and continued to grow creatively. Sadly, I won't be visiting L.A. any time soon, but for all of those who, like me, prefer to boast to the East Coast, the entire collection is available online, right here. A few of my favorites below.