Showing posts with label david byrne. Show all posts
Showing posts with label david byrne. Show all posts

Wednesday, June 24, 2009

The Bonnaroo Tales, Vol. II: Can I Live While I'm Young?


Friday morning was cloudy, which is part of the reason I was able to sleep so well. But the other major factor was our campsite itself. It was the festival setup I've always wanted. Along the way from Jersey to 'Roo via JMaddy, we picked up my college freshman cousin and 5 of his hometown buddies. They rolled down Highway 81 from Boston in a rented minivan, and from the start clearly had no idea waht they were walking into. To the yoots' credit, they did a great job festivaling once we were down there. They all seemed to have a great time, and despite being grossly unprepared -- "Whoa, you guys brought a cooler?" -- really contributed to the campsite, namely with caffeine and liquor. Friday morning I was able to chug a mugful of Starbucks right to my brain thanks to a 150 year old device that I had never seen or heard of before. According to Wikipedia, "French pressed coffee is usually stronger and thicker and has more sediment than drip-brewed coffee." Oddly, I found myself saying the same thing about the fresh pressed product I left in the toi-toi a few minutes later.


We spent the better part of Friday morning foraging around our neighborhood for various necessities and sundry items. We found a perfect flagpole and doubled the height of our crucial campsite landmark, the sweet California bruin flag. We wandered across the campgrounds and slugged through a bunch of mud to hang out for a bit with Adam's friend from college and my homegirl Hippie Katie, then wandered back and had a delicious lunch of turkey sandwiches and ham grilled cheeses, all courtesy of the legendary Meatbag Magician. Fat and satisfied, we ventured to Centeroo and caught the end of Santigold's set.


Santi kept the crowd bouncing, but capturing the attention of myself and many of those around me were a pair of sign language interpreters perched on an edge of the soundboard area. I always find this hilarious. They were mouthing every lyric, dancing to the beat, half signing, half raving with all kinds of sassy, hearing impaired gusto. I'm not saying deaf people shouldn't go to festivals, but no matter how well somebody lip-syncs and keeps a beat... I mean... they still can't really hear the concert, right? Someone might want to send me to sensitivity training for this, but I just don't get it. It was funny. Forget it, moving on.


Adam, Mike and I agreed that Al Green was not to be missed, and we were all too happy to watch one of the true legends smiling from ear to ear as he glided and pranced around the main stage, sweating through a red-vested three-piece suit as the evening sun continued to beat down. Green may not heed the farmers' almanac, but he still has the moves. He also still has his way with the ladies (although you could say he had a rough go of it with his women at first), tossing roses into the crowd and stopping more that once to lament that he couldn't jump into the audience and spread a little bit more love. "These people came out here to love me, not to hurt nobody," he declared. And damn if I didn't want a piece of the Reverend right then and there.* The most important thing that he still had -- that voice. He can still hit those sweet soulful notes, and god bless him for it, I hope he can forever.

*Guessing this is the closest I'll ever feel to being Catholic.


As soon as Al Green waved us goodbye, we realized that we had made our way up to a great spot right up against the rail dividing the pit from the rest of the crowd, and decided to stay put and stake our claim to that land in the name of Schiff during Beastie Boys, before Phish's late night set. If I could take a mulligan on one Roo decision, I would take it right here. Beasties vs Byrne was easily the most awful scheduling conflict of the weekend going in, and I agonized over it until the moment of truth came. I made the mistake of valuing our spot on the rail over seeing the music that I knew would maximize my experience. Next time I get the chance to see the man who wears the Big Suit, I'm going to make sure to take it. It's not that I didn't enjoy the Beasties' set, but I knew exactly what was coming, having seen them once before. Always opt to see a new show for the first time, especially if it's an artist you love. I consider myself a live music veteran, but this decision was total amateur hour. I knew I flubbed it the entire time, too. I just didn't pull the trigger on it because I was so into having that spot for Phish, who were involved in the second worst Bonnaroo scheduling conflict -- against Public Enemy. It would have been cool to see P.E. perform "It Takes A Nation of Millions to Hold Us Back," and everyone knows how much love I have for ya boy, but I was left uninspired to make that move after seeing the Worst Fake Flav of All Time. I must have screamed "Flava Flaaavvv!" at this assclown a dozen times, and not once did he respond. If you're out there, bullshit Fake Flav, you suck. You mean to tell me you're willing to parade yourself around dressed like an asshole, but not act the part? For chrissakes, you're sitting on your fat, useless ass reading the fucking paper! Everyone knows Flava Flav can't read! Disgraceful.


Point is, you can't go back, only forward, and inevitably we made it (finally) to the first main event of the weeknd: Phish on the main stage, Friday night at 11. It was a high-energy performance right from the gate, featuring another Chalkdust Torture opener like we had seen in Camden (Best show of the early summer tour leg? Methinks yes.), and the strong set of Divided Sky, Possum and Down With Disease hyping the action in the pit and around us to its first real fever pitch of the weekend. But after 8+ hours on my feet and the never enjoyable Wading In the Velvet Sea beginning to take form, I told Adam I had to get out of there. I recharged with a festival gyro and bottle of water, and after an entire night of overvaluing our precious rail spot, packed in amongst a few particularly insufferable Phish heads, I fittingly caught the hard-charging highlight of the festival to that point from a wide open patch of grass toward the back of the field. After Wading in the Velvet Shwag mercifully wrapped, the boys rolled through Harry Hood - always a personal favorite, though this version wasn't quite the pure joy of the previous Tuesday's Jones Beach edition - then covered Highway to Hell for the first time in over 12 years, jammed into 2001, and segued from YEM > Wilson > YEM in what felt like a moment of accidental perfection to close their set at 2:15am. An appropriate cover of the Beatles' A Day in the Life shut down the main stage for Friday night (at this point Saturday morning), and we ventured over to Girl Talk to close out the late late session.


Greg Gillis provided us with a predictably fun dance party, but I think at that point, for us it was just a little bit of noise that we didn't have to think too much about. Something to keep us bobbing and energized long enough to make it back to camp and crash. Before we did, we needed one last quick conversation about our strategy for Saturday -- the big day. Bruce Day. We decided we'd drive it to Firenze (we named our camp after our second landmark flag, a purple banner bearing red fleur de lys, purchased in Florence) for a cookout dinner pregame around 5, then hit up our same spot 3 hours or so before The Boss. That same, overrated spot. We didn't know that our well-intentioned plan wouldn't come to fruition, or that this would turn out to be the best thing that could have possibly happened to us. Content with our agenda, still spinning and exhausted from our long day of music, and with the sun rising on our first nearly 36 hours of Bonnaroo, it was time to make that move.

Pillow.

Face.

Sunday, March 22, 2009

The one where I see David Byrne's Big Suit

Great day for Los Schiffs Saturday. Baby bro turned 16, which just blows my mind. He got a classic 16th birthday present: his first electric guitar. Both middle bro and I got a visit from the Papa Schiff Chuck Wagon, and the whole family roadshow kept it rockin with a visit to the Rock & Roll Hall of Fame Annex in Soho.

I've visited the Rock Hall in Cleveland, but never the one on Mercer Street, despite the fact that I have walked past the Annex many times on my way to and from work. It was a fun little space with many great artifacts to look at. The tour is accompanied by a headset which reacts to sensors around the museum exibits and plays songs by the artists you're looking at. My favorites, not necessarily in order:

1. Bruce Springsteen's '57 Chevy, purchased in 1975 for $2000
2. Johnny Cash's spangled n' studded black leather cowboy boots
3. Paul Simon and Art Garfunkel's letters to each other from Camp Lake Vu in New Brunswick, NJ.
4. John Lennon's piano (with "Imagine" playing in the headphones. I stood and stared, dumbfounded, at this for several minutes)
5. THE BIG SUIT!!

Stop Making Sense is probably my all-time favorite concert movie. I was mesmerized by it from the opening strains of "Psycho Killer" and dove face-first into the Talking Heads immediately after the final notes of "Crosseyed and Painless." It was an incredible joy to turn around a corner at the Annex and see David Byrne bending and bouncing around as the movie played on what I thought was just a big screen embedded in the Talking Heads exhibit. But my heart truly went aflutter when the image of the film faded to reveal behind a glass window... the suit!

During said Talking Heads obsession, I developed a pretty mean David Byrne impression and eventually developed a not so secret desire to dance around in the big suit and bust out "Girlfriend Is Better." Mr. Byrne himself will be performing a set at Bonnaroo this year, and though I wouldn't dare try to upstage him by wearing his iconic outfit to his set, there's another artist on the bill who welcomes and encourages costumed audience members. Bonnaroo just keeps giving me more and more signs that this is the year I must return.



I admit that I definitely need to brush up on Byrne's solo work, and I'm excited to get into it. That being said, he's bound to bust out a few choice Heads jams, and I'll cheer loudly. Hey solo David Byrne, what do you think of Big Suit David Byrne? I'd like to write a song about hairdos...

I said it last Sunday, and I'll say it now since the season (series?) finale just wrapped up not too long ago. Flight of the Conchords need to stage their hit B'way show at B'roo. Hippies won't care if you're illegal immigrants -- they have their own priors to worry about.

Also, open of tonight's Eastbound & Down finale, FTW!!

Wednesday, February 18, 2009

I wanna know who got that N.A.S.A. music [we have liftoff!]



Tons to do today so could be a slow one for blogging, but let me just remind you of the only thing you need to know this morning: N.A.S.A. has launched, and we're already a day late.

If you don't know, you should have been learning along with me, because The Spirit of Apollo is going to be one of the biggest party bangers of the year. Write that down on the off chance that you didn't know already so I can take credit later, and read on for your 30-second tutorial.

N.A.S.A. (North America/South America) is a collaboration between DJ Zegon and DJ Sam Spiegel (aka Squeak E. Clean, aka Spike Jonze's brother) rooted in celebrating unity across a vast spectrum of artists. First, we heard "Gifted," featuring Kanye West, Lykke Li and Santogold (apparently now known as Santigold). Next it was "Watchadoin," which brought together M.I.A., Spank Rock, Santi, and Nick Zinner, and "Spacious Thoughts," an ethereal meeting between Tom Waits and Kool Keith. Schiff Happens was convinced after hearing David Byrne trade verses with Chuck D on "Money." Since then, we've heard even more tracks featuring The Cool Kids, Ghostface Killah, DJ AM, Scarface, KRS-One, Fatlip, Slim Kid Tre, Method Man, and even Schiff Happens favorite Ol' Dirty Bastard. “This record is about bringing the craziest combination of people together,” says Spiegel. Well no shit, Sam - mission accomplished.

In addition to the wild collaborations in the studio, N.A.S.A. have taken their concept a step further and enlisted some of their favorite fine artists, such as Marcel Dzama and Shepard Fairey (yea, that guy) to produce 5 interchangeable album covers which will all come with the album. The beatmakers then paired their artist pals with animators to create some fantastic music videos for songs off of Apollo. Check out the different covers here.

You can pick up your copy of The Spirit of Apollo at iTunes, Amazon, and purveyors of fine music everywhere, via Anti-. For now, enjoy a little taste with these videos.

N.A.S.A. "The Spirit of Apollo" Trailer


"Money" ft. David Byrne, Chuck D, Ras Congo, Seu Jorge & Z-Trip


"Hip Hop" ft. KRS-One, Fatlip, & Slim Kid Tre


"The People Tree" ft. David Byrne, Chali 2na, Gift of Gab, & Z-Trip


N.A.S.A. Previously on SH:
No- No- No more work this week! [Friday Jams]
More tunes! aka Where the F are my Friday Jams?
To all my people who don't wanna go to work [Friday Jams]